Sleek and scary is the order of the day in 🐈, a twi🌸sty conclusion to Harley and Jonathan Crane's hunt for Black Mask that places the Scarecrow firmly in the spotlight.

Simone DiMeo and Toni Infante's incredibly thin and expressive linework, combined with Bonvillain's intense purples and greens, make for a gorgeous looking book. Bonvillain goes crazy with Future State's neon aesthetic, casting the entire issue in a hazy glo𒅌w for a real 'strip club in the year 3000' vibe.

Pages are shattered into pieces by DiMeo and Infante's angular panel layouts, reflecting the disorder within. Design-wise, Black Mask a🌄nd Scarecrow look truly fearsome, although Harley's hairstyle veers a little too close to Punchline's. Even so, there's a real Tank Girl vibe to Harley here that suits her baseball bat-ha🍨ppy personality.

DiMeo and Infante use perspec💝tive to great effect – we only see Black Mask from below, an intimidating figure who stares down through the panel with glowing red eyes.

Troy Peteri's individualized approach to le𝔉ttering gives a little extra character to the three main players here. He even switches from a clear and ordered font to a shaky and uneven style to mark Crane&rs𒁃quo;s transition from detective to super-villain.

Stephanie Phillips’ script lays the jokes on thick, and while they don't always land, there's a few chuckles to be had. Her dialogue is memorable and the whole issue is tightly plotted with a memorable ending. Phillips does some interesting things with Crane’s inner turmoil, juxtaposing the fears of the𝔍 Magistrate, Harley and B🗹lack Mask to push him back into his scaremongering alter-ego.

Fluid and confident, Future State: Harley Quinn #2 is an appropriately chaotic climax for this unlᩚᩚᩚᩚᩚᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ𒀱ᩚᩚᩚikely team-up of dastardly doctors.

Stephanie Phillips will continue her Harley Quinn run with a relaunched Harley Quinn ongoing title launching this March.