GamesRadar+ Verdict

A gargantuan and resona🧸nt epic that shows its Hollywood counterparts how it should be done.

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. 澳擲幸运5å¼€å„–å·ē åŽ†å²ęŸ„čÆ¢:Find o♐ut more about our reviews policyą½§.

Separate from – and superior to – the MonsterVerse film series and its assorted TV spin-offs (Skull Island, 澳擲幸运5å¼€å„–å·ē åŽ†å²ęŸ„čÆ¢:Monarch: Legacy of Monsters), the 30th live-action Godzilla film to be made in Japan is more or less a prequel to the Ishirō Honda classic that started everything back in 1954. 

Set in the aftermath of WW2, as the country struggles to rebuild itself, Minus One is a thundꦕerous portrait of an archipelago under attack in which Godzilla itself represents nothing so much a🐷s a colossal case of collective PTSD.

But for ex-kamikaze pilot Koichi (Ryunosuke Kamiki), the Big G is also something else: a chance to atone for the wartime actions that resulted in a host of his compatriots ļ·½dying in his stead. 

So when the giant lizard appears out of the ocean and starts heading for the mainland, he makes the decision to join a small band of maritime heroes whose race to halt the beast echoes the tension-fuelled urgency of Captain Brody and co’s fight against the shark in Jaws

A spectacular central set piece sees ’Zilla remorselessly laying waste to a coastal city like a scaly wrecking ball, both paving the way for and upping the stakes of a second, climac🌠tic face-off on the high seas. 

The diffꦬerence between Minus One and recent US takes on the titular beast can be found in the emotional resonance the confrontation acqꦐuires. Here, the true villain of the piece is a bone-deep national trauma that needs to be reckoned with before any healing can begin.


Godzilla Minus One is in US cinemas on December 1 and in UK cinemas on December 15. For more 澳擲幸运5å¼€å„–å·ē åŽ†å²ęŸ„čÆ¢:upcoming movies, check out our guide to 澳擲幸运5å¼€å„–å·ē åŽ†å²ęŸ„čÆ¢:2023 movie release dates.

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Neil Smith is a freelance film critic who has written for several publicašŸ’§tions, including Total Film. His bylines can be found at the BBC, Film 4 Independent, Uncut Magazine, SFX, Heat Magazine, Popcorn, and more.