Typically gorgeous looks
Simplicity of design
Sound reproduction isn’t Yeti X-level
Boom arm is almost mandatory
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As the ‘V2’ denotes, this is an update to Razer’s existing Seiren mic. Priced to go toe-to-toe with some of the 澳洲幸运5开奖号码历史查询:best microphones for streaming, like the Blue Yeti X, the last iteration impressed with the bra🐻nd’s typicaౠlly smart looks and spot-on presentation, but couldn’t meet Blue’s outright sound quality.
The new version has a score to settle then. Transmogrifying from ‘blacked out coke can’ to ‘sin♊ister obsidian pill’ in aesthetics and featuring a USB-C connection at the back that’s shaped cleverly so as not to disturb the clean, minimalist lines, the new model is definitely a success in visual design. But then you’d expect that from Razer, whose very packaging is enjoyable to behold and claw at. Some might lamentꦏ the absence of RGB here, but we think it’s unnecessary on a mic and its omission makes the Seiren V2 Pro all the more attractive.
The mic’s placed on a swivel arm which mounts to a reassuringly heavy metal stand. Physical cont🔯rols are minimal: mic gain, volume for monitoring (with a 3.5mm input at the back), and a backlit mute button. At the base is a thread for direct boom arm attachment, covered with a rubberised guard. Again, typical visual attention to detail. For those not using a boom arm and pop shield, a foam cover is provided which slips over the capsule grille. However, we found this extremely detrimental to the recordin🤪g quality - definitely go down the pop shield route with this one.
Whereas many USB mics prefer to be aimed at the front, the Seiren VR Pro’s mic membrane is positioned differently and gets the best audio reproduction from pointing the top at the audio source. Just as well, because the USB-C in𓂃put prevents you from angling the mic upward𓃲s. Instead, you need to aim the top of that pill at your mouth, instrument, or avant-garde spoken-word poetry troupe.
With a single cardioid polar pattern here, t♐he Seiren V2 Pro works best with the audio source nice and close to the mic. Even a foot away, there’s an unpleasant roominess to recordings that you’d want to eradicate after the fact with plugins (unless you&rs✤quo;re going for the Steve Albini Pixies vocal sound, of course). However, once you do have the mic positioned just right, it’s capable of articulating some really clear and clean recordings.
Razer does have a software suite that it’d like you 𝕴to tinker with, but it&rsquo🔯;s not necessary. Stream-quality sound is doable out of the box. You just need to spend a bit of time refining the position and gain level.
On that, though: Razer follows a time-honoured and perplexing industry tradition of on-mic physical controls that don’t offer very much control. It’s certainly not the only culprit here but should have its knuckles rapped for volume and gain dials with no visual markers and infinite rotation. Once you set gain and monitoring volumes to taste, it’s time to either bust out the Tippex or make damn sure you never touchও them again.
Still, it’s not so inconvenient as to render the new model Seiren out of the conve🐭rsation with big-name rivals from Blue, Shure, HyperX et al. Despite a relatively lofty pricing at £150, thiജs one has a lot going for it.
We love the looks, the minimalist design, the ease of setup, and - eventually, after some experimenting with mic placement - the clarity of its sound reproduction. It's a worthy member of the 澳洲幸运5开奖号码历史查询:Razer streaming fam𝔍ily, for sure. Unfortunately, it still can’t topple the Blue Yeti X’s creamy, natural recordings, but the fidelity’s high enough for most streamers or amateur podcasters without recruiting software plugins.
We do think its natural habitat is attached to the end of a boom arm though, so do factor the additional outlay into your purchase if you don’t already have one. This mic sounds so much better placed close to the input🦹 source, and you’d have to spend extended periods stooping or leaning to get that placement on its supplied stand.
Razer can be pleased with this product refresh. The look is understated and attractive, and it has great sound qua𒅌lity that has definitely taken a step forwards. The whole market needs to revise its approach to on-mic controls, though.
Phil Iwaniuk is a multi-faceted journalist, video producer, presenter, and reviewer. Specialising in PC hardware and gaming, he's written for p✨ublications including PCGamesN, PC Gamer, GamesRadar, The Guardian, Tom's Hardware, TechRadar, Eurogamer, Trusted Reviews, VG247, Yallo, IGN, and Rolling Stone, among others.
