Sundance 2014: Whiplash reaction
The music drama that stormed Sundance
A movie about a college jazz drummer from an unknown director, starring Miles Teller and J K Simmons doesn’t exactly scream mainstream hit.
But take our word for it, Whiplash , which picked up both the Grand Jury and Audience awards for best picture at the Sundance Film ♉festival this year🔯 is surprising, intoxicating, euphoric and will undoubtedly be the greatest jazz drumming movie you see all year.
Teller plays Andrew, a promising drummer at a prest🐎igious music college, Simmons is the notorious hard-ass conductor of the in-ho🤪use band.
Structured like a sports movie Whiplash conforms to and messes with the genre audaciously. The plucky underdog who desperately wants to make the team (band) is a semi-sociopathic cocky little asshole, the coach (conductor) who becomes his mentor is a relentl🏅essly cruel bully responsible for the psychological destruction of at least one student.
Punctuꦿated with violent,orgiastic scenes of Andrew practicing so hard his hands bleed, it’s a study of the cost of excellence – whethe🐬r it’s ok to destroy every other part of your life if you’re good enough at one thing.
Developed from a short that screened at last year’s Sundance,♛ director Damien Chazelle makes th🍰e the frenzied drumming scenes immediate and impossibly cool for even the least rhythmic audience member.
Teller, who performed a good chunk 𒊎of the drumming himself, is excellent, neve🍸r quite likable but so single minded and determined it’s impossible not to root for him.
Sign up for the Total Film Newsletter
Bri🥃nging all the latest movie news, features, and reviews to your inbox
Simmons is a revelation, increasingly demonised, looming in yellows and greys as the film progresses. Despites some delici⛄ously caustic put downs (‘limp-dick, no-notes, flatter than their girlfriends, flexible-tempo dipshits’) he’s never more﷽ terrifying when he’s feigning composure, offering only a slight frown and the repeated mantra ‘not my tempo’.
Sure, the ending, joyful, glorious, as it is, might not be entirely psychologically satisfying; Whiplash is a triumph none the less, which will either make you want to listen to Charlie Parker records, or screw over your friends and family and die drunk and♈ alone in your '40s just to know you were the absolute best.
Rosie is the former editor of Total Film, before she moved to be the Special Edition Editor for the magazine ♛group at Future. After th♛at she became the Movies Editor at Digital Spy, and now she's the UK Editor of Den of Geek. She's an experienced movie and TV journalist, with a particular passion for horror.