The Story Behind Inception

Remember the ad campaign for The Matrix way back in 1999?

You know, the What is the Matrix? one. Funny to think that just 11 short years ago, nobody had any clue what theไy w🎉ere in for.

, is causing similar levels of head-scratching, web speculation and full-on fanboy aggro.

Not that we’re going to spe🧸nd the nextಞ few pages making lazy comparisons. But, really, it’s pretty commendable.

In this film-crazed world, where on-set spies leak details by the truckload and copies of scripts are fished out of landfills by over-eager groupies who just can’t wait eight months ‘til the release , keep𓆉ing anyth💖ing under wraps is something that deserves a congratulatory pat on the back.

Maybe even a cigar.

Well, we’ve done some digging (yes, we are the aggravated fanboys, and we want facts dammit ). What is ? Who’s in it?🀅 Just what the heck is it all ❀about? And, more importantly, why should we care?

We investigate...

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Case File One: A “small” story

To begin the inve🌊stigation, let’s travel back a year to February 2009.

It’s seven months since Chris Nolan’s The Dark Knight gripped the world, dodging the killer sequel curse to produce something that big bruv Batman Begins could be proud of.

We gave it five stars, and called it “a dazzling, determined superhero classic”. Added we: “Ledger puts Nicholson in the shade. With Batman Begins Nolan set the bar; with TDK he's just raised it.”

Time for Batman 3 , right?

Wrong. Just as Nolan took a break to helm a more personal project after Batman Begins , forging pretzel-shaped period piece The Prestige , the director decided to make something outsi༺de of the Batverse before contemplating a third stab at the superhero franchise.

So, what🧔 would it be? A taut, small-budget thriller? A character-driven, introspective drama? We waited with 🐈bated breath.

Nolan joked about makꦦing a “very intimate, small story that happens to be photographed on a ridiculously large 🎉scale”. But what would it be?

Finally on 11 February, 2009, Warner Bros confirmed that they would be producing Mr Nolan’s fifth film, the curiously tagged . They had already pre-emptively bought the director’s spec script after Dark Knight mopped up.

“Chris Nolan is a visionary filmmaker who continually raises the bar with each movie he makes,” sa♐id WB Group president Jeff Robinov. “We are thrilled to be collaborating again with him and [producer wife] Emma on this exciting new motion picture.”

Shooting was to begin in summer 2009, with a summer 2010 release date pinned down. But what would it be? Nobody was talking when it came to ca🐼st 🔜or plot details.

The Hollywood Reporter confirmed that Nolan would be working from an original, sel꧂f-scribed sc🌌ript , and that the film would be “a contemporary sci-fi actioner set within the architecture of the mind”.

Yeah, fancy vagueing that up for us?

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Case File Two: The Players

Between the months of☂ March and April, a torrent of casting reports came flooding in.

First sign🌄ed was Leonardo DiCaprio, who woulꦐd play the film’s lead, a “CEO type”. He kept pretty schtum as well.

Next, Nolan approached Marion Cotillard, Cillian Murphy and Ellen Pag෴e. They all swiftly sign♔ed the dotted line – Cotillard as DiCaprio’s wife, Page a young grad student. Murphy’s role remains a mystery.

On 3 April, Michael Caine clear♓ed up rumours t♏hat he was involved by poo-pooing any reports tying him to the project.

“All I know is that Christopher Nolan, who writes and directs Batman is doing a picture called , and I’m not in it,” the British ledge said. “So I think another Batman film is a long, long way off. Long Way. I would say three years, mus🌟t be.”

Just four brief days later, Caine back-tracked on his statement, confirming that he had been recruited to t💝he project aft🐈er all.

“I think there might be a part for me. Just a tiny par🌠t. Chris and I are very good friends so I’ll do that little part. I think I’ll work about three days. It&r🌸squo;ll be extraordinary, wait until you see this one. I think if I say another word he’s going to kill me!”

As🍌 interest in the project began to pique, Joseph Gordon-Levitt joined the project. Unsurprisingly, when he spoke to MTV he revealed that he and the rest of the cast had been asked not to talk to the media about the specifics of the film.

“Here’s the thing… I can’t wait to talk to you about [ Inception ] but I&rsqu🍒o;ve been very specifically asked not to talk about it. I want to respect [director Chris Nolan's wishes] because I love his movies and I’m so honored and grateful to be working with him.

“He’s got a really specific idea and way he wants people to be pres🦂ented with this t🐻hing.”

As May dawned, Ken Watanabe and Tom Hardy both joined the team, concluding its principal castin🐼g.

We were still none the wiser.

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Case File Three: On Location

In June, two things happened.

First, we discovered that filming had commenced in Tokyo. Working under the title Oliver’s Arrow , ’s shoot was plagued by photographers attempting to catch a glim𒐪pse of DiCaprio, Watanabe and Gordon-Levitt as they went about their business.

Dark Knight story writer David Goyer confirmed “they just started shooting” while attempting to field Batman 3 chatter. “You know, talk to [Nolan] after h♉e finishes , which he&🀅rsquo;s shooting right now.”

Filmin🧔g continued around University College London, where the Wilkins building’s library was transformed into Paris’s national library, the bibliotheque of the 'Ecole de Architecture'.

Later, a scene being shot in the Flaxman Gallery saw Caine’s character introducing DiCaprio and Page’s ch🍎aracters. As 💞the trades surmised that Page was actually DiCaprio’s sidekick as well as a young graduate, an on-set spy said:

“Michael Caine looked like he was playing a similar character to the one he always plays lately, Ellen Page looked like a plucky young student, and Leo di Caprio just looked moody and ‘focussed’ (toying with the toothpick-in-between-the-teeth look).”

As details began to slip through🌺 the cracks, we also learnt that Gordon-Levitt and Hardy were playing Arthur and Eames, working associates of DiCaprio’s nameless CEO. Page earned her name ‘Ariadne’ౠ, and Watanabe’s Saito was revealed as the film’s central villain.

What was the second thing that happened? Well, news of the film’s budget. Those who had assumed that Nolan’s post- DK film would have a comparatively small amount of money to workඣ with were about to get a 🍬very wet slap in the face.

Inception ’s budget was touted as being bet💯ween $150-$💯200m.

Um, yeah. There goes our small-budget thriller theory. Just what was Nolan playing at? The Dark Knight ’s budget was an estimated $185m, and that film was heee-uuuge. Now, was rumoured to have a similaꦯr – if not, bigger – cash cow.

As if valida꧅ting the reports, Nolan bolstered a massive action sequence in downtown Los Angeles on 21 September, 2009.

It was a Saturday, but that didn&rs꧋quo;t stop four blocks of the area being transformed into one giant movie set, as a scene involving a train barre♚lling down a busy street was staged.

A permit announced in fine print that the filmi♌ng would involve a “simulated car crash with train, breaking glass, simulated bullet effects on bꩲody and things, atmospheric smoke effects, weapons brandished . . . near hits & misses”.

A full report can be . Yea📖h, it sounds pretty epic to us, too.

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Case File Four: Hyperbole and conjecture

Aꦆs shooting came to a close, hot-footing from London to Paris to Tangier to Calgary💃, work on the film’s CGI aspects commenced.

And as the techie guys squirreled away at♕ their desks, feverishly wor🌱king to get the film ready for its 2010 release, the interweb’s hype wheel started to crank.

Surely somebody knew what this film🙈 was actually about?

Some websites guessed that the plot might relate somehow to Peter Carruthers’ The Architecture of the Mind (it doesn’t), while April Fool’s Day jokes resurfaced implying that the story involved “a paraplegic who discovers a portal to escape his paralyzed existence through his﷽ own mind that takes him to another plane of existence”. It doesn’t.

A post on the Rotten Tomatoes forum said:

“ is about entering peoples’ minds/dreams. A technology to do so has been developed and is done t𒐪hrough an injection. DiCaprio and his team work to enter the minds of other characters in order to retrieve/plant information.”

There’s no conᩚᩚᩚᩚᩚᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ𒀱ᩚᩚᩚfirmation on how accurate this plotline is.

Nolan’s wife and producing partner Emma Thomas spoke with the LA Times and confirmed the film’s scale, though denied that they were attempting to top their Batman adventures.

“It’s something that we had been talking about on and off for seven or eight years," Thomas said. "Coming off of the The Dark Knight , the only thing we really knew is that we🅘 wante꧟d to do something more personal. It seemed like the right time to do this.

“The fact that it’s really just an enormous movie -- that wasn’t 🅺ever really a factor in the decision. This story lends itself to a movie of this size.”

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Case File Five: Cuttings

On Frꦅiday 21 August, Warner Bros launched ’s official website.

Co🐻nsisting of nothing more than a spinning top, it was a frustrating tease, and no amount of desperate, anxious clicking-while-standing-upside-drinking-coffee-off-a-teaspoon would reveal hidden portals in the site’s make-up.

Then, a teaser trailer premiered in front of Tarantino’s Inglourious Basterds . Just 58 seconds in length, it boasted a♍ lot of pretty visuals, a thumping soundtrac🐼k, and absolutely zero information about what the film was actually, y’know, about.

It looked something like this:

Fa🐻ꦕst forward to 15 December, and suddenly the film’s website came to life.

A game entitled Mind Crime appeared, in which players were tasked with creating a maze♉ for other users to play in. As a reward, players were given ’s first one sheet.

It looked .

Spot something odd? Yes, pretty sharpish people put two and two together, and realised that this atmospheric poster bore a strange resemblance to the Dark Knight one sheet featuring the Joker.

Was it just another big tease courtesy of Nolan and co? Hard to tell with this lot. Still, buzz was gathering momentum, and a week later a new trailer for the film premiered in front of Sherlock Holmes .

It revealed a bit more:

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In Closing

So, it’s January 2010. Almost a year since we fi𓃲rst got whiff of and all of its reluctant, fact-hording ways.

And what do we have to show for it? A heck of a lot of excitement for a start♊.

Clamping down on information in this information-heavy world has definitely had the desired effect, graduall🌳y building anticipation for the film without battering audiences over the head with needless over-exposure.

This month, Nolan finally bro🌌ke his silence on the project and spoke with the , confirming that the combined ideas of Ian Fleming, the Wachowski Brothers and Sigmund Freud fed into his script for .

“I think we’ve put a lot of different things into the pot with this one,” Nolan said while taking a bre👍athe🎐r from editing.

“I grew up watching J𝓡ames Bond films and loving those and watching spy movies with their globetrotting sensibility.... We get to do that here, not just geographically but also in time and dimensions of reality as well. We get to make a movie that’s expansive, 🎉I suppose you’d say, in four dimensions.”

Tantalising stuff. But Nolan doesn’t stop there, going on to call this the “biggest challenge” he’s ever u🔯ndertaken.

“We’re trying to tell a story on a massive scale, a true blockbuster scale – the biggest I’ve ever been involved with,” the director says. “We tried to make a very large-scale film with The Dark Knight and with this one we wanted to push♚ that even further.”

It's been 11 years since The Matrix blew our minds. And, obvious comparisons aside (the gravity-defying h🌄allway clash featured in the trailer, for a start), it's the film that seems to have the most in common w🔴ith in terms of restricted media access and hushed, confused anticipation. So forgive us for drawing easy parallels.

It's too early to tell if will have a simila𒐪r impact to its sci-fi forbear, but it'll 🔴definitely be one to watch.

So... Case closed? Not by half - this baby’s only just getting started...

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𒊎Josh Winning has worn a lot of hats over the years. Contributing Editor at Total Film, writer for SFX, and senior film writer at the Radio Times. Josh has also penned a novel about mysteries and monsters, is the co-host of a movie podcast, and has a library of pretty phenomenal stories from visiting some of the biggest TV and film sets in the world. He would also like you to know that he "lives for cat videos..." Don't we all, Josh. Don't we all.