Why Neil Marshall Is Perfect For Predators

Rumours that Neil Marshall is in talks to direct Predators for Robert Rodriguez has us smiling.

While it still just be a rumour, we think it sounds like a great idea – a solid blend of director, genre and subject.

Not convinced? Here's our pitch…

[Page-Break]

"With Doomsday I had a 28 million dollar budget and I wanted to make a movie that looked like 50-60 million dollars. I always want to get as much aಌs humanly possible out of that money, so that does require an awful lot of creativity and hard work regardle🐼ss of the scale or budget.”

Next:

[Page-Break]

"This one is suddenly – bam! – whole countries. There’s fifty or more speaking parts, I’m dealing with thousands of extras, logistical action sequences, explosions, car chases – the works. It’s been an adventure.”

Just imagine what he might be able to do with an actual $60 million budget, or even more?

Marshall loves his practical work and would be able to add in more CG to give Predators a strong contemporary look.

It would certainly blow AVP: Requiem out of the water...

Next:

[Page-Break]


4. Dog Soldiers




If you need the purest example of what Marshall is able to achieve when everything combines to work perfectly, look no further than this - his first stab at feature-length filmmaking.

It has plenty of action, shocks, gore and a dark vein of humour (“Sausages!â€) running right through it. Imagine what he could do with a pack of Predators squaring off against British squaddies...

“Action i🐈s what I love directing. It’s what I want to see in movies," he said about his wolfish debღut.

"I love the thrill of action filmmaking. With Dog Soldiers , I wanted to combine 🍷a war movie with a werewolf𒀰 movie. It’s fun!"

Next:

[Page-Break]

Next:

[Page-Break]

Next:

[Page-Break]

Next:

[Page-Break]

Like This? Then try...

Sig🌺n up for our for the latest news, features and reviews delivered straight to your inbox.

James White is a freelance journalist who has been covering film and TV for over two decades. In that time, James has wri♑tten for a wide variety of publications including Total Film and SFX. He has also worked for BAFTA and on ODEON's in-cinema magazine.